{"id":432,"date":"2024-07-11T19:58:52","date_gmt":"2024-07-11T17:58:52","guid":{"rendered":"https:\/\/pluh2.wordpress.com\/?page_id=432"},"modified":"2024-10-23T11:41:23","modified_gmt":"2024-10-23T11:41:23","slug":"nocni-prace","status":"publish","type":"page","link":"https:\/\/pluh.org\/index.php\/nocni-prace\/","title":{"rendered":"No\u010dn\u00ed pr\u00e1ce"},"content":{"rendered":"\n

(Nightwork)<\/h2>\n\n\n\n
\n
\n
\n
\n
\n
<\/div>\n\n\n\n
\n
<\/div>\n\n\n\n
\n

\u201cA grand, wild rampant novel.\u201d<\/em><\/p>\n\n\n\n

\u2014 Neue Z\u00fcrcher Zeitung
<\/p>\n<\/blockquote>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\n
<\/div>\n\n\n\n
About the Book<\/summary>\n
Original Title<\/strong><\/td>No\u010dn\u00ed pr\u00e1ce<\/td><\/tr>
First Published<\/strong><\/td>2001<\/td><\/tr>
Publisher<\/strong><\/td>Torst, Prague<\/td><\/tr>
Pages<\/strong><\/td>259<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/details>\n\n\n\n
Rights Sold<\/summary>\n
France<\/strong><\/td>Robert Laffont – Paris<\/td><\/tr>
The Netherlands<\/strong><\/td>Ambo Anthos – Amsterdam<\/td><\/tr>
Germany<\/strong><\/td>Suhrkamp – Berlin<\/td><\/tr>
Hungary<\/strong><\/td>Kalligram – Budapest<\/td><\/tr>
Poland<\/strong><\/td>WAB – Warsaw<\/td><\/tr>
Italy<\/strong><\/td>Azimut – Rome<\/td><\/tr>
Spain<\/strong><\/td>\u00a0<\/strong>Lengua de Trapo – Madrid<\/td><\/tr>
Norway<\/strong><\/td>Bokvennen – Oslo<\/td><\/tr>
Croatia<\/strong><\/td>Fraktura – Zagreb<\/td><\/tr>
Sweden<\/strong><\/td>Ersatz – Stockholm<\/td><\/tr>
United Kingdom<\/strong><\/td>Portobello Books – London<\/td><\/tr>
North Macedonia <\/strong><\/td>Tri Publishing Centre – Skopje<\/td><\/tr>
Slovenia<\/strong><\/td>Cankarjeva – Ljubljana<\/td><\/tr>
Serbia<\/strong><\/td>Dereta – Belgrade<\/td><\/tr>
Egypt<\/strong><\/td>Al Kotob – Cairo<\/td><\/tr>
Bulgaria<\/strong><\/td>Paradox – Sofia<\/td><\/tr>
Italy<\/strong> (new edition)<\/td>Keller editore – Rovereto<\/td><\/tr>
<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n<\/details>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

One night in 1968, on the eve of the Soviet invasion, 13 year-old Ondra and his younger brother Kamil are bundled into a coach bound for their father’s birthplace, a mountainous, forested village in northern Bohemia. But when they arrive it becomes clear that this escape promises its own perils, and the boys find themselves stranded in a rural community riven with petty suspicion and stained by prejudice, a borderland over which fleeing peoples, victims of genocide, and trigger-happy armies regularly tramp. Growing up in this dark, chaotic landscape, the two boys struggle to make a home for themselves, until a series of unexplained deaths push them to make bold decisions to ensure their survival.<\/p>\n\n\n\n

The short summer of anarchy, the winter of our discontent, German autumn and Prague spring – if the seasons serve as a historical metaphor, then history becomes a cycle. The belief in progress must imagine time as linear; those who think in cycles always have the eternal return of the same thing in mind: the cancellation of history in natural history, in which every thaw exposes the snow-covered signs of earlier catastrophes. Yesterday’s snow becomes tomorrow’s toxic precipitation.<\/em><\/p>\n\n\n\n

(Frankfurter Allgemeine Zeitung)<\/sub><\/p>\n<\/div>\n\n\n\n

\n
\n

\u201c\u2018Nightwork\u2019 is thoroughly worked through and keeps its narrative strands on a short leash. A concise but precise main clause style and fast-paced dialogue, create atmospherically dense situations that almost seem like drama scenes and, despite all the fantasy, never lose their anchor in reality.\u201d<\/em><\/p>\n\n\n\n

\u2014 Frankfurter Allgemeine Zeitung<\/p>\n<\/blockquote>\n\n\n\n

\n

\u201cHis novel is impressive and unforgettable it is imagination.<\/em><\/p>\n\n\n\n

\u2014 Die Zeit<\/p>\n<\/blockquote>\n\n\n\n

\n

\u201cTopol clearly set out to write an unconventional novel \u2013 and he more than succeeded.\u201d<\/em><\/p>\n\n\n\n

\u2014 The National<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

Translations<\/h2>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\n
\n
\n
\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/div>\n\n\n\n
\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/div>\n\n\n\n
\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
<\/div>\n\n\n\n
Missions Nocturnes<\/summary>\n

Robert Laffont, Paris, 2002<\/p>\n\n\n\n

Translated by Marianne Canavaggio<\/p>\n<\/details>\n\n\n\n

Nachtwerk<\/summary>\n

Ambo|Anthos, Amsterdam, 2003<\/p>\n\n\n\n

Translated by Edgar de Bruin<\/p>\n<\/details>\n\n\n\n

Nachtarbeit<\/summary>\n

Suhrkamp Verlag, Frankfurt am Main, 2003<\/p>\n\n\n\n

Translated by Eva Profousov\u00e1 and Beate Smandek<\/p>\n<\/details>\n\n\n\n

\u00c9jszkai munka<\/summary>\n

Kalligram, Budapest, 2004<\/p>\n\n\n\n

Translated by P\u00e9ter Kolosz\u00e1r<\/p>\n<\/details>\n\n\n\n

Nocna prace<\/summary>\n

WAB, Warsaw, 2004<\/p>\n\n\n\n

Translated by Leszek Engelking<\/p>\n<\/details>\n\n\n\n

Lavoro notturno<\/summary>\n

Azimut, Rome, 2006<\/p>\n\n\n\n

Translated by Laura Angeloni<\/p>\n<\/details>\n\n\n\n

Misiones nocturnas<\/summary>\n

Lengua de trapo, Madrid, 2006<\/p>\n\n\n\n

Translated by Kepa Uharte<\/p>\n<\/details>\n\n\n\n

Nattarbeid<\/summary>\n

Bokvennen, Oslo, 2007<\/p>\n\n\n\n

Translated by Martin Ala\u00e7am<\/p>\n<\/details>\n\n\n\n

No\u0107ni posao<\/summary>\n

Fraktura, Zagreb, 2007<\/p>\n\n\n\n

Translated by Sanja Mili\u0107evi\u0107 Armada<\/p>\n<\/details>\n\n\n\n

Nattarbete<\/summary>\n

Ersatz, Stockholm, 2008<\/p>\n\n\n\n

Translated by Tora Hedin<\/p>\n<\/details>\n\n\n\n

Nightwork<\/summary>\n

Portobello Books, London, 2014<\/p>\n\n\n\n

Translated by Marek Tomin<\/p>\n<\/details>\n\n\n\n

\u041d\u043e\u045c\u043d\u0430 \u0440\u0430\u0431\u043e\u0442\u0430<\/summary>\n

Tri Publishing Centre, Skopje, 2016<\/p>\n\n\n\n

Translated by Donka Rous<\/p>\n<\/details>\n\n\n\n

No\u010dno delo<\/summary>\n

Cankarjeva, Ljubljana, 2016<\/p>\n\n\n\n

Translated by Nives Vidrih<\/p>\n<\/details>\n\n\n\n

No\u0107na smena<\/summary>\n

Dereta, Belgrade, 2017<\/p>\n\n\n\n

Translated by Uro\u0161 Nikoli\u0107<\/p>\n<\/details>\n\n\n\n

\u041d\u043e\u0449\u043d\u0438 \u0440\u0430\u0431\u043e\u0442\u0438<\/summary>\n

Paradox, Sofia, 2019<\/p>\n\n\n\n

Translated by Angelina Pencheva<\/p>\n<\/details>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

(Nightwork) \u201cA grand, wild rampant novel.\u201d \u2014 Neue Z\u00fcrcher Zeitung One night in 1968, on the eve of the Soviet invasion, 13 year-old Ondra and his younger brother Kamil are bundled into a coach bound for their father’s birthplace, a mountainous, forested village in northern Bohemia. But when they arrive it becomes clear that this […]<\/p>\n","protected":false},"author":1,"featured_media":452,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-432","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/pages\/432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/comments?post=432"}],"version-history":[{"count":1,"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/pages\/432\/revisions"}],"predecessor-version":[{"id":1745,"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/pages\/432\/revisions\/1745"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pluh.org\/index.php\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/media?parent=432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}