{"id":912,"date":"2024-07-12T21:24:53","date_gmt":"2024-07-12T19:24:53","guid":{"rendered":"https:\/\/pluh2.wordpress.com\/?page_id=912"},"modified":"2024-07-12T21:24:53","modified_gmt":"2024-07-12T19:24:53","slug":"unava-materialu","status":"publish","type":"page","link":"https:\/\/pluh.org\/index.php\/unava-materialu\/","title":{"rendered":"\u00danava materi\u00e1lu"},"content":{"rendered":"\n

(Material Fatigue)<\/h2>\n\n\n\n
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Magnesia Litera Award 2017<\/h4>\n\n\n\n

Cutting Edge Award 2019<\/h4>\n<\/div>\n\n\n\n
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About the Book<\/summary>\n
Original Title<\/strong><\/td>Mapa Anny<\/td><\/tr>
First Published<\/strong><\/td>2016<\/td><\/tr>
Publisher<\/strong><\/td>Odeon, Prague<\/td><\/tr>
Pages<\/strong><\/td>208<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/details>\n\n\n\n
Rights Sold<\/summary>\n
Bulgaria <\/strong><\/td>Izida -Sofia<\/td><\/tr>
The Netherlands <\/strong><\/td>Das Mag – Amsterdam<\/td><\/tr>
Croatia<\/strong><\/td>Ljevak – Zagreb<\/td><\/tr>
North Macedonia<\/strong><\/td>Antolog – Skopje<\/td><\/tr>
Serbia<\/strong><\/td>Heliks – Belgrade<\/td><\/tr>
Syria<\/strong><\/td>Ninawa – Damascus<\/td><\/tr>
Italy <\/strong><\/td>Keller – Rovereto<\/td><\/tr>
Hungary <\/strong><\/td>Eur\u00f3pa – Budapest<\/td><\/tr>
Sweden<\/strong><\/td>Ramus F\u00f6rlag – Malm\u00f6<\/td><\/tr>
Switzerland\/France<\/strong><\/td>Syrtes – Geneva<\/td><\/tr>
Slovenia<\/strong><\/td>Beletrina – Ljubljana<\/td><\/tr>
Spain<\/strong><\/td>Baltica Editorial – Madrid<\/td><\/tr>
Poland<\/strong><\/td>Afera – Wroclaw<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/details>\n<\/div>\n\n\n\n
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A far from ordinary story about two brothers fleeing from a war-torn country to Europe. The flight full of hardships in a cold winter landscape is told in a unique way, namely as from a physical point of view: it is more about the reactions of the body than of the mind, it is as if the body speaks to the reader. Next to that the book is not moralizing, it is not a political or social pamphlet, it doesn\u2019t point fingers. Europe is an anonymous, impersonal feature. An unadorned story, but told with strong imagination. The sufferings, the feelings and impressions, especially of the younger brother, are described in a very empathetic way. And this is mainly due to the original, raw, succinct poetic style of \u0160indelka, like we already know from his previous work, for instance Map of Anna<\/em>.<\/p>\n\n\n\n

Material Fatigue<\/em> was shortlisted for the European Union Prize for Literature 2017; the European Literature Prize 2019 (The Netherlands) and the Payot Bookstore Prize 2021 (Switzerland).<\/p>\n<\/div>\n\n\n\n

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\u201cI am impressed by Marek \u0160indelka\u2019s novel Material Fatigue that I read yesterday evening in one shot. Material Fatigue is about the mourning music of life, reflected in rhythmic sentences as in Schubert\u2019s Winterreise.\u201d<\/em><\/p>\n\n\n\n

\u2014 NRC, Michel Krielaars (editor in chief)<\/p>\n<\/blockquote>\n\n\n\n

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\u201c\u0160indelka astonishes. Razor sharp, like the language of the author. Unfortunately Material Fatigue will not make the F-16\u2019s disappear from the Syrian airspace, but there is no doubt that this is powerful literature.
5 stars (Book of the Year 2018).\u201d<\/em><\/p>\n\n\n\n

\u2014 Knack<\/p>\n<\/blockquote>\n\n\n\n

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\u201cThis is not the first novel about refugees, but it is a very convincing one. \u0160indelka is able to make the cold, hunger and despair empathetic and gives the numb follower of news with this powerful novel a blow in his well-fed stomach.\u201d<\/em><\/p>\n\n\n\n

\u2014 VPRO<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n

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Translations<\/h2>\n<\/div>\n<\/div>\n\n\n\n
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\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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\u0417\u0430\u043c\u043e\u0440 \u043d\u0430 \u043c\u0430\u0442\u0435\u0440\u0438\u0458\u0430\u043b\u043e\u0442<\/summary>\n

Antolog, Skopje, 2017<\/p>\n\n\n\n

Translated by Jasminka Delova-Siljanova and Daniela Rous-Mi\u0161evska<\/p>\n<\/details>\n\n\n\n

Materiaalmoeheid<\/summary>\n

Das Mag, Amsterdam, 2018<\/p>\n\n\n\n

Translated by Edgar de Bruin<\/p>\n<\/details>\n\n\n\n

Zamor materijala<\/summary>\n

Ljevak, Zagreb, 2019<\/p>\n\n\n\n

Translated by Sanja Mili\u0107evi\u0107 Armada<\/p>\n<\/details>\n\n\n\n

\u062a\u0639\u0628 \u0627\u0644\u0645\u0639\u0627\u062f\u0646<\/summary>\n

Ninawa, Damascus, 2019<\/p>\n\n\n\n

Translated by Yara Omran<\/p>\n<\/details>\n\n\n\n

Anyagf\u00e1radts\u00e1g<\/summary>\n

Eur\u00f3pa K\u00f6nyvkiad\u00f3, Budapest, 2019<\/p>\n\n\n\n

Translated by Otilia Barna<\/p>\n<\/details>\n\n\n\n

Materialtr\u0151tthet<\/summary>\n

R\u00e1mus, Malm\u00f6, 2020<\/p>\n\n\n\n

Translated by Marie Wenger.<\/p>\n<\/details>\n\n\n\n

La Fatigue du mat\u00e9riau<\/summary>\n

\u00c9ditions Syrtes, Geneva, 2021<\/p>\n\n\n\n

Translated by Christine Laferri\u00e8re<\/p>\n<\/details>\n\n\n\n

Utrujenost materiala<\/summary>\n

Beletrina, Ljubljana, 2021<\/p>\n\n\n\n

Translated by Nives Vidrih<\/p>\n<\/details>\n\n\n\n

Zamor materijala<\/summary>\n

Heliks, Belgrade, 2021<\/p>\n\n\n\n

Translated by Uro\u0161 Nikoli\u0107<\/p>\n<\/details>\n\n\n\n

La fatiga de los materiales<\/summary>\n

Baltica, Madrid, 2021<\/p>\n\n\n\n

Translated by Patricia Gonzalo de Jes\u00fas<\/p>\n<\/details>\n\n\n\n

\u0423\u043c\u043e\u0440\u0430 \u043d\u0430 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0430<\/summary>\n

Izida, Sofia, 2022<\/p>\n\n\n\n

Translated by .Krasimir Prodanov<\/p>\n<\/details>\n\n\n\n

La fatica dei materiali<\/summary>\n

Keller, Rovereto, 2022<\/p>\n\n\n\n

Translated by Laura Angeloni<\/p>\n<\/details>\n\n\n\n

Zm\u0119czenie materia\u0142u<\/summary>\n

Afera, Krakow, 2023<\/p>\n\n\n\n

Translared by Dorota Dobrew<\/p>\n<\/details>\n\n\n\n

<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

(Material Fatigue) Magnesia Litera Award 2017 Cutting Edge Award 2019 A far from ordinary story about two brothers fleeing from a war-torn country to Europe. The flight full of hardships in a cold winter landscape is told in a unique way, namely as from a physical point of view: it is more about the reactions […]<\/p>\n","protected":false},"author":1,"featured_media":937,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-912","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/pages\/912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/comments?post=912"}],"version-history":[{"count":1,"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/pages\/912\/revisions"}],"predecessor-version":[{"id":1362,"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/pages\/912\/revisions\/1362"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pluh.org\/index.php\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/pluh.org\/index.php\/wp-json\/wp\/v2\/media?parent=912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}